I SEE International Video Art Festival
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Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation
From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee
Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
“The Tides of the Century” at the Ocean Flower Island Museum
More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
Boundaries Ahead – Oh Bay Art Project, Shenzhen
Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more
Werner Büttner and the Invention of BAD Painting
Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
“Right: to Write ________”:
Toward a Democalligraphic U-topia
So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more
Show and Tell: Cao Yu’s Gendered Embodiment
Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more
北京词业空间开幕展：世界给了我们一些什么之后
(中文) 无可否认，新冠疫情对世界的影响将会在未来相当一段时间内持续，艺术家和所有人一样难免不受到波及。我们可以在哪些历史中寻找参照，或者今天的事件又会如何影响未来？或许每个人的答案都不尽相同。这次展览邀请的作品也不会提供标准答案，然而无论影像或是绘画，具象或者抽象，其线索在于，都是艺术家在对自身所处环境或面对某个事件审视之后的表达与呈现。 >> Read more
扩展场域的展览：论中国当代艺术展览的空间转向
(中文) 近10年来的中国当代艺术展览的空间观念主要呈现以下几方面的趋向，主要表现可以概括为：绘画作品展陈的空间化和装置化；作品与场所的意义叠加，独立空间的兴起；扩展场域的展览：作品和展览的跨媒介性与在地性；走向虚拟空间。 >> Read more
